This exhibition will be on view from October 1 to December 13, 2026.

Knowledge Is Myth: Chimeric Continuities

Knowledge Is Myth: Chimeric Continuities  
October 1—December 13, 2026 

Opening Reception: Thursday, October 1, 2026 
6:00–9:00 pm 

Knowledge Is Myth: Chimeric Continuities features work by artists and collectives Enzo Camacho & Ami Lien, Candice Lin, Cole Lu, and Ayoung Yu & Nicholas Oh that engage languages of mythmaking as a means of knowledge-making and unmaking, while questioning what constitutes “mythology” (including modern myths) in the formation of history and archives. Drawing from pre-colonial, pre-humanistic, diasporic, and often chimeric modes of knowledge production, these works reconfigure canonical hierarchies of being that separate human and so-called “nonhuman” subjects, realms, and alter-lives. As critical humanities scholar Zikkayah Iman Jackson asks in Becoming Human what does it mean to be homo-narrans (storytelling human) more than just homo-sapiens (thinking/reasoning human)? Knowledge Is Myth: Chimeric Continuities further excavates various archives, rare books, manuscripts, and artworks from across Harvard, an institution of both knowledge production and of mythological proportions.  


This exhibition is organized by Danni Shen, Senior Curatorial and Public Programs Assistant.

This fall marks the first programmatic collaboration under the Recharge Foundation Fund, a joint initiative supporting contemporary art collaborations between the Carpenter Center for the Visual Arts and the Harvard Art Museums. Alongside Knowledge Is Myth: Chimeric Continuities, the Harvard Art Museums will present Alfonso Ossorio: Line and Lineage, on view October 23, 2026–April 11, 2027.

Funding is provided by the Harvard University Committee on the Arts (HUCA) with additional support from the Recharge Foundation Fund for Contemporary Art. Generous support for Carpenter Center programming is provided by the Friends of the Carpenter Center. Special thanks to the Harvard Art Museums.
 

About the Artists

Enzo Camacho & Ami Lien are artists, writers, and activists from the Philippines and the US, respectively. They have had solo exhibitions at MoMA PS1, New York; Glasgow Gallery of Modern Art; Center for Contemporary Art Berlin; Para Site, Hong Kong; 47 Canal, New York; and Green Papaya Art Projects, Quezon City, Philippines. They have been included in group exhibitions at Tai Kwun Contemporary, Hong Kong; Asia Pacific Triennial, Queensland Art Gallery, Brisbane; New Museum Triennial, New York; Manifesta 13, Marseille; Drawing Center, New York; Kuandu Museum of Fine Arts, Taipei; the Brunei Gallery, SOAS University of London; NTU Center for Contemporary Art, Singapore; UCCA Center for Contemporary Art, Beijing; and Green Papaya Art Projects, Manila. They are currently exhibiting at the 2026 Whitney Biennial, New York.

AYDO was founded in 2020 by artists Ayoung Yu and Nicholas Oh in New York; the multidisciplinary, collaborative artist duo centers their practice on explorations of cultural inheritance, colonial histories, and eco-spirituality. AYDO has exhibited and performed at venues including: The Pacific Asia Museum, University of Southern California, CA; Bauhaus Museum Weimar, Germany; Stedelijk Museum Schiedam, The Netherlands; The Shed, NY; Bronx Museum of the Arts, NY; Apex Art, NY; Cantor Art Center, Stanford University, CA; Museum of Art and Design, NY;  Canal Projects, NY; AHL Foundation, NY; The Immigrant Artist Biennial, NY; among others. AYDO has been awarded artist residencies at Bemis Center for Contemporary Art, Art Omi, Skaftfell Art Center, Recess Art, Sculpture Space, Catwalk Institute, and Dongguk University (South Korea). 

Candice Lin is an interdisciplinary artist who works with installation, drawing, video, and living materials and processes, such as mold, mushrooms, bacteria, fermentation, and stains. Lin has had recent solo exhibitions at Whitechapel Gallery, London; Jameel Arts Center, Dubai; Talbot Rice Gallery, Edinburgh, Scotland; Canal Projects, New York; Spike Island, Bristol, UK; Walker Art Center, Minneapolis; and Guangdong Times Museum, Guangzhou, China. Lin’s work was included in the 59th Venice Biennale, The Milk of Dreams, Prospect.5 Triennial Yesterday We Said Tomorrow, and both the 13th and 14th Gwangju Biennales. She is the recipient of the 2024 Ruth Award, the 2023 Arnoldo Pomodoro Sculpture Prize, a 2022 Gold Art Prize, and a 2019 Joan Mitchell Foundation Award, among numerous other recognitions. Candice Lin lives and works in Los Angeles. She is an Associate Professor of Art at the University of California Los Angeles.

Cole Lu lives and works in New York. Working across sculpture, installation, drawing, and writing, Lu’s practice explores myth, memory, and the architectures of displacement. His work engages material translation through wood burning, fire, linen, copper, found objects, and concrete, materializing poetics of survival, orientation, and coded refusal. Language operates as text and texture, carving lexicons into matter and myth into structure. Lu presented the solo project The Engineers at the 2024 Bangkok Art Biennale. His solo exhibitions include at Herald St, London; the Institute of Contemporary Art at MECA, Portland; and the Contemporary Art Museum St. Louis. Recent and forthcoming exhibitions include at the Museum of Contemporary Art Tokyo; the University of Applied Arts Vienna; Aranya Art Center, Qinhuangdao; Bortolami, New York; Kunsthal N, Copenhagen; and Nova Contemporary, Bangkok.